Do we want to live in a world that’s always on? Walk into any bar in places like San Francisco, Seattle or Los Angeles, and there are hordes of people that are splitting their attention span their “Jesus” phones and conversations.

Even now, do you really have anyone’s undivided attention?

And then’s there’s Google Glass. Mark Hurst writes about how this is even worse with the new device:

The key experiential question of Google Glass isn’t what it’s like to wear them, it’s what it’s like to be around someone else who’s wearing them. I’ll give an easy example. Your one-on-one conversation with someone wearing Google Glass is likely to be annoying, because you’ll suspect that you don’t have their undivided attention. And you can’t comfortably ask them to take the glasses off (especially when, inevitably, the device is integrated into prescription lenses).

But wait, there’s more!

Finally – here’s where the problems really start – you don’t know if they’re taking a video of you.

The user wears them unintentionally becomes part of the world’s biggest webcam network. 

Now pretend you don’t know a single person who wears Google Glass… and take a walk outside. Anywhere you go in public – any store, any sidewalk, any bus or subway – you’re liable to be recorded: audio and video. Fifty people on the bus might be Glassless, but if a single person wearing Glass gets on, you – and all 49 other passengers – could be recorded. Not just for a temporary throwaway video buffer, like a security camera, but recorded, stored permanently, and shared to the world.

…

Google Glass is like one camera car for each of the thousands, possibly millions, of people who will wear the device – every single day, everywhere they go – on sidewalks, into restaurants, up elevators, around your office, into your home. From now on, starting today, anywhere you go within range of a Google Glass device, everything you do could be recorded and uploaded to Google’s cloud, and stored there for the rest of your life. You won’t know if you’re being recorded or not; and even if you do, you’ll have no way to stop it.

Isn’t that a slight privacy violation? Where’s the checkbox I can click?

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It’s satire and reality at the same time.

“It’s weirdly self-centered and creepy to be broadcasting my whereabouts to the whole world, and then be rewarded for it with some worthless piece of clipart,” said Tampa, FL college student Theresa Gibson. “I don’t want to know where other people are, I don’t want them to know where I am, and I definitely don’t want it all to be tracked by a website that pits us against each other to see who can share our locations the most. Frankly, it doesn’t make any sense why that would ever appeal to anyone.”

And…

“Nobody needs to get my immediate take on everything I see online,” said Atlanta printing consultant Deirdre Levinson, questioning the merits of any site that, without knowing her level of intelligence or expertise in a particular topic, would deem her worthy enough to engage in a discussion. “And they’re sorely mistaken if they believe I could actually add something of value to the conversation. At best I’m just going to parrot back some loose approximation of what I’ve heard before, which will just prove that I never should have weighed in in the first place.”

And…

“Don’t always ask me to send everything I’ve read to everyone I know. And by the same token, I don’t need to know if they’ve read the same thing. That information means nothing to either of us,” said Glendale, AZ shopkeeper Dan Allenby, who could not think of a single instance where it would be helpful to sign into another website through his Facebook account. “If I wanted to tell someone about something, I’ll just tell them individually. Or better yet, they’ll stumble across it on their own.”

Read on…

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I’m going to be presenting with Jon Fox in Orange County at Kareo with Jon Fox:

From Application to Interview: How to get a Great UX Job

Patrick Neeman presents: The process of getting a great user experience job isn’t as hard as you would think. This workshop covers all aspects of the interview process, from presenting a great resume and portfolio, what to expect during an in person interview.

Mobile as a UX Driver

Jon Fox presents: Showcasing how the user experience movement of simple design, quick data consumption and connectivity is driven by the rise in mobile devices, small screen applications and on-the-go mobility.

Click here to register.

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Now I’m moved.

So I was catching up on Twitter and blog reading, and I came along this post. Kyle Neath has always kind of cracked me up — that photo on Twitter — but the blog post about how the internet can level the playing field is great. To paraphrase, he didn’t know the value of his early work, and found solace through a Ruby on Rails community.

It took me until early 2009 for me to realize the real value of this network. I was miserable at my job and I sent a long-winded email to court3nay inquiring about working with ENTP. ENTP was a half-product, half-consulting agency at this point comprised almost solely of caboosers. All of whom had never met me or ever heard my voice. About 30 seconds later I got a response:

Hey Kyle,

That’s pretty fuckin awesome, if you’ll pardon my french.

We’re just heading out to breakfast, I mean, an important company meeting, but I’ll get back to you today.

Courtenay & Rick

And then a follow up:

OK, I’ve talked it over with everyone (unanimous— “kyle? awesome!”)
I think you’ll fit into our team perfectly.

No in person interview. No phone calls. No technical test. They were confident enough in my pixels to give me what equated to my dream job at that point in my life.

Really fucking crazy.

This industry we work in is magical. For the first time in human history, it’s possible to be represented (almost) solely through the merits of your work. Build something magical, push it up to GitHub under a pseudonym, and you could become one of the most sought after programmers in the world.

Do great work. Reach out. Pixels don’t care. Exactly.

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Rogers has been responsive at doing this investigation. Here’s the recap.

• Double Plus: I recieved a call from the office of the president, promptly. They want to solve this. I got a very responsive person that seemed to understand the situation.
• Plus: They acknowledged I emailed several vice presidents in the company.
• Plus: I sent them a list of articles and support posts about phantom roaming charges. There apparently is a bug for older iOS devices (version iOS 4 and 5) where if the phone is set to auto download music and applications, data roaming will be activated. Neither Apple nor mobile companies that I know of have acknowledged this bug.
• Minus: I was offered the “if you buy the $100 package retroactively, we’ll forgive the rest of the bill” solution. I explained to the  representative, “That’s great, but that’s an admission of guilt and not a real solution.” These are electronic systems that have no physical cost for this roaming issue other than increasing profits.

I get it — not everyday are they going to get someone on the other end the designs iPhone applications, has travelled internationally, is comfortable with social media and can navigate email systems. But their customer service runs the risk every day when they mistreat customers. This is all bad press, and probably will cost them customers.

They would get a lot better press if they said, “We’ll forgive this,” and would probably get a renewed contract that’s worth over $2,000 over the next year. Otherwise, there’s a good chance they’ll lose a customer over this. Sean Van Tyne, a friend of mine, talks about how good service breeds loyal customers.

A great service design culture really starts from the top. Loyalty comes from the promises companies make to their customers. Period.

Here’s a few recommendations:

• Users should be able to remove automatic billing from their account. I get it, you want to get them on the phone. Comcast is a master of this, especially when you want to cancel the account, but their service representatives turn it into a sale. This, however, a) pisses off users and b) probably contributes to the customer service costs. I’m embarrassed as a member of the User Experience field that any UX Designer would allow Black Hat UX to happen.
• Connect the technical support and customer service systems. I shouldn’t have to be transferred every time another department needed to speak with me. There’s nothing more aggravating than, “I don’t know the answer to this, I need to transfer you.” Again, added costs for answering simple questions.
• Properly train your representatives on the devices your customers use. 30 percent of your customers use iPhones. If they don’t understand that the iPhone setting for data roaming are three screens down, or think the phones have magic powers, you have alienated 30 percent of your customer base. This isn’t a fragmented Android market — it’s a device that is a single hardware platform and very, very predictable.
• Look at issues, and resolve them by looking at the ROI. The amount of time spent on this issue by all parties involved will cost much more than the $619. As a former product manager, sometimes cutting your loses is best for the business.

More updates tomorrow. Stay tuned.

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Really poor customer service. So poor, I have to take to social media to get any proper attention.

A friend of mine received a phone bill from Rogers Communications, a cellular company in Canada. On it was $619 for international roaming charges — six days in Hong Kong and China which no one could explain. She was there for two months, and is very experienced international traveller.

She knows how to turn data roaming off.

What’s worse is the customer service received in response to this issue:

• Reported the issue originally on Jan 2.
• Called back several times.
• Still have not gotten an answer as of today, 20 days later.
• Was hung up on three times, twice today.
• Was told by the first customer service representative that iPhone applications can automatically turn on data roaming without the user knowing it. To someone who designs iPhone applications, and knows this is not the case.
• Was told by the second customer service representative that the roaming settings are easy to accidentally turn. You know, the settings that are three menus down on an iPhone.
• Had to call a customer service representative to remove automatic billing (there’s no option on the website). That is black hat UX, and not customer friendly.
• Their technical support department can’t see billing records, and vice versa, which is even worse from a business process prospective. Very customer unfriendly.
• Customers cannot walk into a Rogers store and resolve an issue easily. You know, like Verizon or AT&T.

20 days.

Several incorrect answers that less experienced people would have accepted.

Several customer service representatives giving incorrect information.

No resolution other than one representative offering to be put on a pre-paid plan of 80 dollars. That would have meant paying 80 dollars for phantom usage. She was running from Starbucks to Starbucks to get her email.

All this trouble for a customer who’s cellular phone contract is up for renewal. You know, a customer that’s been with them 10 years, and through all this doesn’t want to switch companies.

Will someone help? Please?

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This originally published over at UXMas, where they were kind enough to let me guest blog (how festive!). They also did a wonderful job of editing the content.

Here’s the post:

User experience designers are storytellers.

The stories that you tell in client meetings and job interviews are about the applications you design. The best stories are thoughtful, compelling and successful. Each story that you tell builds upon your library of experience—it shows the arc of your career and why you should be hired.

However, how you tell your story is as important as the story itself.

How do you tell your story? If you’re uncertain, here are a few ideas that may help.

Tell One or Two Big Stories

There should be at least one or two projects that you can tell a user experience story about, from inception to release. This means showing off some actual project deliverables—for instance:

• The user research you performed
• The actors and personas you developed
• The user stories you wrote

It also means talking about the project. For example:

• The process you followed to come up with user goals
• The assumptions you made, and how you validated them
• Your design considerations

Explaining the full lifecycle illustrates how you think, and gives your audience a more complete picture. Lynn Teo, CXO at McCann Erickson, covers this process extremely well in her presentation, Portfolios Matter: Building the Portfolio to Win the Job.

Once you’ve set the scene, it’s time to play your trump card: demonstrate the only deliverable that truly matters—the final product.

When talking about my portfolio, I frequently talk about Jobvite because we were able to achieve the full lifecycle on that project. However I also talk about a small business called Bob The Chiropractor, because it’s big story about a small business. It’s a project that demonstrates how, even with limited resources, you can achieve great things.

No project is too small to illustrate the big idea.

Tell A Bunch Of Small Stories

Not every UX Designer gets to experience the complete user experience lifecycle on every project, so it may be necessary to show how you took an existing product, made some changes, and improved the product as a result.

Small stories are very important because they show how you can think on your feet and draw on your past experience to make informed design decisions. They also demonstrate to organizations that you’re able to fit into a larger team.

When telling a small story, it’s even more important to include the final product. Your stories should always be results-driven. Whether they’re stories about big or small projects, you need to show the positive effect that your work had for your story to make an impact.

Tell Stories That Fit Your Audience

Every time you tell a story, there are embellishments and changes that you naturally make fit your audience. For example, you don’t use the same language with your mother that you do with your friends.

The same goes with your user experience stories.

Tell your story differently, depending on whom you’re talking to—whether it’s another designer, a product manager, or even the CEO. Each of these individuals needs to hear how your story fits within their context, so you should change the message accordingly.

Telling your story also depends on the organizational context: the stories you talk about for an e-commerce project will be different than for a content-driven intranet, so you may have to research your audience to ensure you’re telling the right stories.

Tell Stories That Sell

You should practice your stories, and be able to elaborate on them when questions come up. It’s not enough to tell your story using an electronic portfolio—you should be able to walk up to a whiteboard and explain the story visually, so that your future employer or client understands fully.

Walking someone through the deliverables you produced on projects big and small is a great well to sell yourself. I love seeing photos of people working together, organizing information with a bunch of post-it notes, because it shows a thought process that is more than shiny wireframes.

Weaving together great stories is a matter of pacing and keeping the audienceengaged. Remember, you should be telling your best stories—a project that ends without any lessons learned isn’t very engaging. Always aim for quality overquantity.

Tell Stories That Have A Great Ending

The best way to illustrate your value as a user experience designer is to not talk about the great wireframes you built for a project, but how your work translated into a measurable return on investment for your company or your client.

When a project is coming to a close, make a point of capturing facts that you can use to sell yourself in the future. For example,

Our user research and changes to the application increased engagement 10-fold.
Conversion increased 400 per cent over one month through A/B testing.

Most design is very subjective, but results that were achieved due to the work you performed is not.

Tell Your Story

Creating a kick-ass UX portfolio is all about defining who you are. Why are you good at user experience? How can you communicate your experiences in a compelling fashion?

What’s your story?

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Sure, she talks about HR and Recruiting, but Laurie Ruettiman is a great writer. You should follow her blog, because it’s great career advice, even if she doesn’t follow it herself.

Here’s one of her posts stolen, lock, stock and barrel. It’s a good read.

My best career advice from 2012. Summarized for your enjoyment.

• Don’t let a job define you.
• Don’t be too good for work.
• Your personal life and your professional life are different. Guard that.
• Don’t sulk when good things happen to other people.
• Mediocrity at work is okay.
• Money talks.
• You are responsible for your own engagement.
• Work is not your family.
• The best way to get a job is to have a job.
• For every one hour you spend on the internet, spend six in the real world.
• Don’t spread office gossip unless it’s true.
• People notice if you don’t wash your hands.
• Save your money and work less.
• It’s better to smell good than look good.
• Your boss doesn’t have it out for you. Your coworkers do.
• If you fear being fired, it’s too late.
• You are not George Carlin. Tamp down those jokes.
• If you wonder if that skirt is too short, it is.
• When someone asks how you’re doing, it is a formality. Don’t answer honestly.
• You can say no to team building, wellness programs and forced fun.

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First World Problems has got you covered.

Here’s the list:

• Safeway is a whole 10 minutes away, but I really need twinkies.
• My house’s mood lighting doesn’t match all of my moods.
• I need to use both of my hands to unplug my $400 cell phone
• Skateboards look cool, but using my legs is strenuous.
• I order too much stuff on Amazon and keep missing deliveries.
• I can’t be fucked to wait in line for the new iPhone 5.
• Shopping around for a shirt that fits me properly would mean I’d have to leave my couch.
• No matter how hard I try, I cannot find a way to share and discover amazing images!
• Excel Functions? I’m still looking for a technical co-founder.
• My social networking sites are too social.
• I just have too many social networks for me to keep track of.
• If I call a cab, I’d have to actually talk to someone, and yellow really clashes with my shoes.
• There are moments when I don’t know what celebrities all my friends are endorsing.
• Not all of my friends know what I think about everything all the time.
• I’m nostalgic for an era before I was born.
• I feel weird not looking at a monitor constantly.
• My friends owe me money, but cash is such a hassle.
• My iPhone alarm goes off right in the best part of my sexy dreams.
• Using keys to open the door to my house is really time consuming.
• Autocomplete doesn’t work for adding new contacts, but typing whole words takes effort.
• Everyone on Reddit is too mean to me.
• I want to blog, but I don’t want to type anything.
• I have $36.
• I need a number to validate my existence.
• I need entertainment, but deciding which link to click is difficult.
• I mentioned I liked conspiracies so now I’m on a treasure hunt across the internet.
• My watch doesn’t have a touchscreen.

First World Problems also has the answers.

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This is the Official UX Drinking Game Shindig for No Reason.

It’s free except for the booze.

This isn’t affiliated at all with anyone, but it’s an excuse to get together. Meet up with other designers and have a drink for all the reasons we need to drink.

Hosted by myself, curator of the UX Drinking Game. The first five attendees in San Francisco that show me they have downloaded the iPhone app will get a free drink. The back area will be reserved. This will probably be one of the last times it’s held in San Francisco — I’m moving to Seattle.

San Francisco, California

Hosted by UsabilityCounts
Tony Nik’s
1534 Stockton Street
San Francisco, California
Facebook | Map

Dallas, Texas

Los Angeles, California

Hosted by NatalieSun
Copa d’Oro
217 Broadway
Santa Monica, CA 90401
Facebook | Map

Washington, DC

Hosted by DUQE
Details coming soon.

Facebook

London, England

Hosted by WorldOfKnight
The Rake
14a Winchester Walk
Borough Market SE1 9AG, United Kingdom
Facebook | Map

Tel Aviv, Israel

Hosted by TomerSharon
Google Israel
98 Yigal Alon
Tel Aviv, Israel
EventBrite | Map

Other cities coming soon. Shoot me a note if you’re interested in hosting in your town.

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This is a cool little site for UX Professionals — UXmas is a joint effort from the teams at Thirst Studios & UX Mastery, with delightful illustrations provided by Supereight Studio. One of the best of first three days is about credit cards — most sites collect too much credit card information, and that increases friction. Here’s the tip:

Credit card type can be deduced from the card number.

That’s right. If you know the credit card number, you can work out whether it is a MasterCard, Visa, American Express etc etc.

Thanks go to the international standard ISO/IEC 7812, which defines the structure of numbers on identification cards, including credit cards (read more in the officialdocumentation). The first six digits of a card number are the issuer identifier number (IIN), which identifies the organisation that issued the card.

For the purposes of online payment, you currently mostly only need to use the first two digits to work out what type of credit card the user has, as follows:

• Visa: first digit is “4”
• MasterCard: first digits is a “5” and second digit is “1”, “2”, “3”, “4” or “5”.
• American Express: first digit is a “3” and second digit is “4” or “7”.
• Diners Club: first digit is a “3” and second digit is “6” or “8”.
• Japan Credit Bureau (JCB): first digit is a “3” and second digit is a “5”.
• Discover: card number begins with “6011” or “65”.

What does all this mean for our online form?

You don’t need to ask the user what type of card they are using.

Read on…

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Super video.

Three of the top 12 reasons why a project fails:

• Poorly defined requirements
• Poor communication between customers, developers and users
• Stakeholder politics

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Infographic from Rasmussen College

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Users don’t distinguish between hardware and software. They just want devices that work:

Jony Ive–the man behind the iMac, the iPhone, and the iPad hardware–will be taking a brand new role as head of human interface design alongside his existing role as leader of industrial design. He will run hardware and software. Apparently, after hinting to The Telegraph earlier this year that he was upset with the skeuomorphic designs of Apple’s software, Ive made a powerplay within the company.

…

It’s particularly relevant for Apple when you consider what looks to be a pretty inevitable future, a world where desktop software and mobile software seamlessly complement each other. The style is minimal. Buttons may not even exist. Control by touch, mouse, voice, gesture–it makes no matter. All that’s important is the information you wield as naturally as possible wherever you want to see it.

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You can’t make this stuff up. This is awesome. From Google’s website:

Doodler

This position is based in Mountain View, CA.

The area: Product

One of the many reasons Google consistently brings innovative, world-changing products to market is because of the collaborative work we do in Product Management. With eyes focused squarely on the future, our team works closely with creative and prolific engineers to help design and develop technologies that improve access to the world’s information. We’re responsible for guiding products throughout the execution cycle, focusing specifically on analyzing, positioning, packaging, promoting and tailoring our solutions to all the markets where Google does business.

The role: Doodler

As a Doodler, you will join the small creative team responsible for the Google homepage logos (google.com/doodles) that surprise and delight hundreds of millions of users worldwide. You will work at the intersection of art and technology individually and collaboratively with artists, engineers, and other Googlers to lead the creative vision for high impact illustrations, animations, games, and more.

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Social media shouldn’t be a substitute for interaction with, you know, real people around you. One of the good things about social media is you can keep tabs on friends around the world (one of the groups I’m a part of has a 24 hour interaction cycle), but we forget how it’s important to shop local, meet local and have physical interaction.

I’m guilty of it, outside of being in a walkable neighborhood. But I make it a point to have drinks, brunch and other interactions with friends that are local, and explore where I live.

Ryan Carson points this out in a great article:

I believe we have a problem. A lot of the people I know or meet have substituted online community for neighborhood community.

1. We chat to our ‘friends’ on Facebook but we don’t know the people next door.
2. We read Tweets from someone we’ve never met, but can’t remember the last time we chatted to the family across the street.
3. We frantically clear our inbox but fail to sit on our porch so we have can have serendipitous chats with people walking by

Knowing and relying on your physical neighbors is essential to a healthy and happy life.

…

We’ve all got to choose our local communities and invest in building them. When we die, we won’t wish we had a few more friends on Facebook, but we all will wish we shared a few more laughs with our neighbors over a beer or coffee.

Get out from behind Twitter and Facebook and meet your neighbors, yo.

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Don’t necessarily agree with all of this, but it is food for thought.

Provided by OnlineClasses.org.

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Jason runs a blog that (I kid you not) is called The Art of Ass-Kicking. Great blog.

He is one of the founders of Ridejoy, a ride-sharing site. Great idea. This article is a full case-study on how they designed their mobile application, soup to nuts.

Every UX Designer should read it. The list below are the lessons learned.

I’ll end with some lessons I’ve learned from designing this app:

• Prototype. Test. Prototype. Test. Our team spent hours debating user needs and hypothetical solutions. Testing a quick prototype, whether it is click-through wireframes or a quick build, with real users (who are not part of the team) helped us make decisions faster. And we made a great example for lilyhair.com website for this design.
• Play out the interaction models. We tried out a few navigation models. Tabs? Side-bar? Dashboard? We sketched out each model, pinned them up, and discussed which one was the best for the Ridejoy experience. We had to play out the scenarios fully to truly understand how they would work.
• You just gotta ship. As a designer who wants to perfect the details, I had a hard time with this. I don’t know if people are going to understand how to autopilot their offers. I think we can improve our “no upcoming rides” screen. The feeling of wanting to fix “one more thing” will always be there so recognizing that and shipping anyway is an important thing to do.

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Filmed at the Ignite Lean Startup event at Parisoma Lofts in San Francisco, May 2011.

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